Products

Lightweight yet powerful, Vcore is more than just a video transmission system – it's your creative companion, keeping you in perfect sync with your vision while streamlining and simplifying both your setup and post-production. Imagine crystal-clear 4K30 monitoring in the palm of your hand. Your mobile device instantly becomes a professional-grade portable monitor, powered by our intuitive HollyView app. This revolutionary transmission system seamlessly merges HD monitoring, image transfer and versatile recording capabilities, empowering creators to see everything and create anywhere.

Pyro Ultra is a revolutionary wireless video transmission system that connects one transmitter to unlimited receivers, expanding monitoring without limits. With true 4K/60fps capture, and Focus Mode reducing latency to as low as 20ms, Pyro Ultra brings you cinematic clarity and tracks every lens adjustment with absolute precision. Powered by our proprietary TWiFi technology, it offers a line-of-sight transmission range of up to 4,900 ft. (1.5 km), with automatic frequency hopping for stable, interference-free transmission, so you can push further, work faster, and collaborate without compromise. As part of the Pyro ecosystem, Ultra integrates with the entire Pyro family to scale workflows across productions of any size. One transmitter. All Pyros. Unlimited receivers. This is Ultra.

Processing module allows Blackmagic URSA Cine Immersive 100G model to be used for live production. Encodes live video into ProRes for output as SMPTE-2110 IP video on the 100G Ethernet output port.

Lens control cable that converts the 7 pin EXT control connector on the front of Blackmagic URSA Cine to the 12 pin Hirose lens control connection used on professional broadcast B4 lenses.

Lens mount for Blackmagic URSA Cine 12K cameras allows incredible quality B4 broadcast lenses to be used for live production. Features optics specifically designed to match the URSA Cine RGBW sensor.

Blackmagic URSA Cine Studio Viewfinder is a large 7″ HDR touchscreen viewfinder with full camera control, designed for use with URSA Cine in live production environments. It combines a high brightness HDR touchscreen with custom function buttons and physical knobs for brightness, contrast and focus peaking. On screen overlays include focus peaking, frame guides, histograms and more, with full touchscreen access to all camera settings. Includes removable sunshade and connects via a single USB-C cable for video, power and camera control.

Fairlight Live Audio Panel 40 is a desktop control surface with 40 motorized faders and four large touchscreen displays, designed for professional live audio mixing with Fairlight Live. Controls include layers, bus, matrix, aux, VCA, sub-masters and talkback for fast hands-on access to your mix. The touchscreens display channel strip information, levels, EQ, dynamics processing and plug-in interfaces. Ideal for large live broadcasts. Fully integrated with Fairlight Live.

Fairlight Live Audio Panel 20 is a desktop control surface with 20 motorized faders and two large touchscreen displays, designed for professional live audio mixing with Fairlight Live. Controls include layers, bus, matrix, aux, VCA, sub-masters and talkback for fast hands-on access to your mix. The touchscreens display channel strip information, levels, EQ, dynamics processing and plug-in interfaces. Ideal for home studios and mid-sized productions. Fully integrated with Fairlight Live.

Fairlight Live Audio Panel 10 is a desktop control surface with 10 motorized faders and a large touchscreen display, designed for professional live audio mixing with Fairlight Live. Controls include layers, bus, matrix, aux, VCA, sub-masters and talkback for fast hands-on access to your mix. The touchscreen displays channel strip information, levels, EQ, dynamics processing and plug-in interfaces. Ideal for home studios and small suites. Fully integrated with Fairlight Live.

The ATEM Monitoring Rack Panel 40 is a video converter built into a larger 2RU rack-mount ATEM switcher control panel! It features 40 buttons for controlling a local ATEM switcher, plus a front panel talkback connection for communication. The video converter has two redundant SMPTE-2110 10G Ethernet connections, which are converted to 2 x 12G-SDI outputs and an HDMI output. Video is also displayed on the converter's large 5-inch built-in LCD screen, giving you convenient local rack monitoring!

The ATEM Monitoring Rack Panel 20 is a video converter built into a 1RU rack-mount ATEM switcher control panel! It features 20 buttons for controlling a local ATEM switcher, plus a front panel talkback connection. The video converter has two redundant SMPTE-2110 10G Ethernet connections, which are converted to 2 x 12G-SDI outputs and an HDMI output. Video is also displayed on the converter's built-in LCD screen. Simply mount it in a rack and use it when setting up or monitoring a job!

The Blackmagic UpDownCross 100G is a powerful 8-channel standards converter with native SMPTE-2110 connections via 100G Ethernet. It converts up to 8 separate channels of SD, HD and Ultra HD video to any other standard simultaneously. The professional 1RU design features front-to-back cooling that's very quiet! It also includes redundant 100G Ethernet for full SMPTE-2022-7 compliance, dual redundant AC power supplies and a separate NMOS control port for connecting to control networks!

The Blackmagic Ethernet Switch 820 is designed for advanced broadcast systems. It delivers high performance with low latency and all connections are on the rear, keeping cables neat, hidden and secure. You get 8 x 100G and 2 x 10G Ethernet connections plus simple front panel SMPTE-2110 routing. The professional front-to-back cooling design is also very quiet! For advanced systems, it has two redundant PTP clock Ethernet connections, a separate NMOS control port and a dedicated management port.

Blackmagic Media Dock Ultra accelerates your post production workflow by enabling incredibly high speed network sharing and upload from up to 3 Blackmagic Media Modules from Blackmagic URSA Cine cameras. 2 x 100G Ethernet ports allow multiple edit stations to connect and edit directly. Blackmagic Media Dock Ultra also has dual AC power inputs for redundancy and 2 x SDI and an HDMI output for live monitoring of media in real time on a TV or monitor.

Blackmagic Cloud Store Ultra 48TB is an extremely high-performance network storage solution in a compact 1RU design with server-style front-to-rear cooling. Cloud Store Ultra features 48TB capacity 12-card RAID 0 flash memory core, 2 x 100G Ethernet ports, RAID 5 support for data protection, two redundant power supplies, USB-C and Blackmagic Cloud Sync for distributing files globally. It’s fast, even with lots of simultaneous users all accessing files at the same time.

Blackmagic Cloud Store Ultra 24TB is an extremely high-performance network storage solution in a compact 1RU design with server-style front-to-rear cooling. Cloud Store Ultra features 24TB capacity 12-card RAID 0 flash memory core, 2 x 100G Ethernet ports, RAID 5 support for data protection, two redundant power supplies, USB-C and Blackmagic Cloud Sync for distributing files globally. It’s fast, even with lots of simultaneous users all accessing files at the same time.

The Blackmagic StudioBridge 10G PWR is designed to bridge low-cost single link 10G Ethernet SMPTE-2110 connections into high-end redundant 100G Ethernet based systems. It converts and combines 8 channels of 10G Ethernet into a redundant pair of 100G Ethernet connections. That means you can plug in 8 separate 10G Ethernet Ultra HD devices. Each 10G Ethernet port has a massive 90W of PoE++ power, so you can power equipment such as converters and cameras directly from their Ethernet connections!

The Blackmagic StudioBridge 100G bridges a single 100G Ethernet SMPTE-2110 connection into a redundant dual 100G Ethernet broadcast system. It also has two 100G Ethernet camera connections that can be combined if total bandwidth doesn't exceed 100 Gb/s! This lets you interface two cameras such as the URSA Cine 12K 100G into a redundant broadcast system. It also includes a separate 10G Ethernet channel for accessories, an NMOS control port, and dual redundant power supplies.

Blackmagic SDI Expander 8x12G converts in 2 directions at the same time! It converts 8 independent channels of 12G-SDI to SMPTE-2110, while simultaneously converting a separate set of 8 channels of SMPTE-2110 back to 12G-SDI. That's 16 channels of conversion in a single rack unit! The SMPTE-2110 connections use two 100G Ethernet ports for full SMPTE-2022-7 redundancy. There is also a separate NMOS control Ethernet port and dual redundant AC power supplies for reliable broadcast operation.

The world's first camera for live immersive production has faster 100G Ethernet for SMPTE-2110 live video output. Includes dual 8Kx8K RGBW sensors running at 90fps and 16 stops of dynamic range.

This powerful Blackmagic URSA Cine 12K 100G model has a much faster 100G Ethernet port for SMPTE-2110 live video at incredibly high frame rates. With the new B4 lens mount for broadcast lenses, it can deliver up to 440fps! Your main cameras can also be high-frame-rate cameras, perfect for live sports and replay. You still get the large format RGBW 36x24mm sensor and 16 stops of dynamic range. It also works with the new URSA Cine Studio Viewfinder for a complete studio camera solution.

This powerful Blackmagic URSA Cine 12K 100G model has a much faster 100G Ethernet port for SMPTE-2110 live video at incredibly high frame rates. With the new B4 lens mount for broadcast lenses, it can deliver up to 440fps! Your main cameras can also be high-frame-rate cameras, perfect for live sports and replay. You still get the large format RGBW 36x24mm sensor and 16 stops of dynamic range. It also works with the new URSA Cine Studio Viewfinder for a complete studio camera solution.

This powerful Blackmagic URSA Cine 12K 100G model has a much faster 100G Ethernet port for SMPTE-2110 live video at incredibly high frame rates. With the new B4 lens mount for broadcast lenses, it can deliver up to 440fps! Your main cameras can also be high-frame-rate cameras, perfect for live sports and replay. You still get the large format RGBW 36x24mm sensor and 16 stops of dynamic range. It also works with the new URSA Cine Studio Viewfinder for a complete studio camera solution.

HyperDeck ISO Recorder 100G is designed for live production, recording 8 cameras at the same time. Record for later editing or get exciting live-action replay with DaVinci Resolve! Files are recorded in broadcast-quality ProRes format direct to network storage for very long record durations. It connects via SMPTE-2110 100G Ethernet, so all 8 video channels run over a single connection. Or add a Blackmagic SDI Expander 8x12G for 12G-SDI. You can also play back all 8 channels, great for testing!

ATEM 4 M/E Constellation IP Plus is a much larger and more powerful live production switcher with lots of video inputs and outputs! It features a design that's fully SMPTE-2110 native with high-speed 100G Ethernet connections. Like the smaller model, all IP video connections are fully redundant and SMPTE-2022-7 compliant. You get an impressive 64 inputs and 52 outputs, 16 ATEM Advanced Keyers, 4 multi-views and 2 SuperSource processors for a total of 12 DVEs. Perfect for large live productions!

ATEM 4 M/E Constellation IP is an advanced live production switcher with a powerful design that's fully SMPTE-2110 native and uses high speed 100G Ethernet connections! This makes it easy to add a converter for a mix of traditional 12G-SDI or modern SMPTE-2110 IP video connections. Plus, all IP video connections are fully redundant and SMPTE-2022-7 compliant. You get 32 inputs and 28 outputs, 16 ATEM Advanced Keyers, 4 multi-views and 2 SuperSource processors for a total of 12 DVEs.

Blackmagic URSA Cine 17K 65 is a revolution in digital film with an extremely large format 17520 x 8040 65mm RGBW sensor with larger photo-sites for 16 stops of dynamic range. This revolutionary model also includes interchangeable lens mounts, a dedicated assist station with a second 5″ HDR LCD touchscreen and industry standard Lemo and Fischer connections. Blackmagic URSA Cine 17K 65 comes with a massive 8TB of removable high performance media storage built in and also includes high speed 10G Ethernet and WiFi for fast media upload and syncing to Blackmagic Cloud.

Blackmagic URSA Cine 12K LF is a revolution in digital film with a new large format RGBW 36 x 24mm sensor with larger photo-sites for 16 stops of dynamic range. This revolutionary model also includes interchangeable lens mounts, a dedicated assist station with a second 5″ HDR LCD touchscreen, built in ND filters and industry standard Lemo and Fischer connections. Blackmagic URSA Cine comes with a massive 8TB of removable high performance media storage built in and also includes high speed 10G Ethernet and WiFi for fast media upload and syncing to Blackmagic Cloud.

Item Includes Nanlite FS-60B LED AC Monolight RF-FMM-45-S 45-Degree Mini Reflector Nanlite ASBAFMM Bowens-Mount Adapter 9.8' Power Cord COB Protective Cap User Manual 2-Year Limited Warranty (Extend to 3-Year Limited With Registration on NanliteUS.com) The FS-60B from Nanlite is an AC powered, bi-color LED light for photography and video production that's easy to use and provides professional results — all in a compact, lightweight, and easy-to-transport design. For light output, the FS-60B emits 13360 lux of 5600K daylight-balanced light at 1 meter and has a CCT range of 2700K-6500K, which means you can easily achieve different looks with, from cool daylight to warm indoor tones. It has high CRI and TLCI ratings of 96 and 97, so the colors you see in your camera will always be accurate. Built-in Bluetooth lets you directly control the FS-60B with the free NANLINK mobile app for iOS and Android, built-in 2.4G lets you control it with the WS-RC-C2 handheld remote or the WS-TB-1 Transmitter Box (both sold separately). Its FM Mount allows the FS-60B to be as compact as possible, and there are many separately available modifiers that let you soften and shape the light exactly how you want it. An included Bowens-mount adapter makes the FS-60B compatible with a vast number of light shapers, and a built-in umbrella mount extends your options even further. The COB light source of the FS-60B features a built-in glass cap for long-term protection. Compact & Easy-To-Use The Nanlite FS-60B is impressively compact and lightweight, so it's easy to transport and fits into tight spaces. Using it is simple. Just plug into an AC outlet and adjust the brightness and color temperature and get the perfect look in seconds. Multiple Control Options Built-in controls and a 1.3-inch OLED screen make it easy to directly control the FS-60B. With Bluetooth and 2.4G, the FS-60B can also easily be controlled with the free NANLINK mobile app for iOS and Android, or with the separately available WS-RC-C2 handheld remote. Bi-Color with Advanced Features The FS-60B has an adjustable CCT range of 2700K-6500K, which lets you easily achieve different looks. It also has advanced features from the top-of-the-line Forza 720B: Maximum Output Mode (which supplies the full power of the light), and Constant Output Mode (which maintains a constant intensity across the CCT range). FM Mount & Bowens Adapter The built-in FM Mount allows the FS-60B to be as compact as possible and use it with separately available modifiers like the Forza Softbox with FM Mount. An included Bowens-mount adapter makes the FS-60B compatible with a massive selection of light modifiers, such as Nanlite's own line of fresnels, softboxes, and umbrellas. Eye-Catching Lighting Effects With customizable pre-programmed special effects in a simple-to-master menu system, the FS-60B makes it easy to imitate lighting scenarios that can otherwise be tricky to recreate. At the touch of a button, you can simulate 12 different practical lighting effects: CCT Loop, INT Loop, Flash, Pulse, Storm, TV, Paparazzi, Candle/Fire, Bad Bulb, Fireworks, Explosion, and Welding.Designed and Made at Nanlite One important distinction that makes Nanlite stand out is that we design, build, and test every single light in our own facility. This gives us the best possible control over Quality Assurance. We even make the cardboard boxes our lights come in because we weren't satisfied with the quality of the available options. We're a family-owned business filled with people who are passionate about image making and creativity. Join us!

Mars 400S Pro II is a powerful video transmission device with several remarkable features. It offers a transmission range of up to 450ft (150m) and achieves a low latency of just 70ms. Additionally, Mars 400S Pro II is equipped with SDI+HDMI dual interfaces, supports multi-receiver setups, and allows monitoring through the HollyView App.